You thought this was Video Tuesday right? Well it will be more like Video Wednesday or Thursday because Poetry Hickory is tonight and I want to include the readings there in our video update.
So, instead, I thought I’d revisit the issue of getting a book published. Previously, I had discussed the process of chapbook publication but I did have a few readers who wanted to look more directly at the issue of publishing full length collections.
First, getting a poetry (my main genre) published is completely different than getting a work of fiction or non-fiction published. I will touch on all genres at least briefly.
Well, you’ve finished your book of poetry. What next? Well, hopefully, you have been sending the individual poems around to lit mags already. Publishers of poetry books don’t all require you to have the individual poems published but, if you look at the acknowledgements page of most poetry books, you will see that most published poetry books contain 50% – 75% of individual poems that appeared somewhere in print or online prior to the book being put together.
When I started sending around Paper House (under various titles) I was also sending the individual poems around but I already had about 10 or so that were published. That was probably low but I was ready to have the book published. That, however, doesn’t mean the book is ready to be published. I sent it around for about 6 months without once getting a note, a finalist or anything. I knew I needed to re-visit the manuscript but I was already working on other projects so I made the decision to wait until half of the poems in it were published and then I would look at it again.
Now how was I sending it out? I compiled a list of contests and open reading periods and I entered or sent the manuscript to those publishers. This is the primary way you seek publication with poetry. You usually won’t have an agent and at most you might win a prize of like $1000 and some copies of the book for free. It is rare for anyone to make any significant money off of poetry. Very rare!
While I was letting the book sit, I was working on other projects. I was then approached by Folded Word Press. I knew the editor from online communication and some work she had helped me with at Shape of a Box but I was surprised when she asked to see my manuscript. I was actually hesitant, at first, because I wasn’t sure I wanted to dig back into the manuscript again and since we had a working relationship I wondered what people would think?
After a lot of soul searching and getting advise from other published writers I decided to go with it. This was the perfect venue for me to go with. I was able to write new work (at my editor’s request – whew!) and to be able to work hand in hand with an editor to revise the work. You don’t always get that opportunity with the contest/reading period route. Most publishers have so much to read that they just don’t have the time to spend hours helping you revise your book. They expect it to be done when it comes to them.
My route, therefore, has been a bit untraditional but I am very pleased with it.
Now, if you have a fiction book it is a very different experience. You finish the book and then query agents. When you score an agent, or agents, who want to read some of your work they will often ask for a chapter or maybe even the whole book. If they then take you on to represent they may ask for revisions before they even submit the work to a publishing house. You can expect to also revise after a publisher has agreed to put the book out. Finishing that book isn’t the end!
Non-fiction is also different. If you have had some publications, clips, you may be able to query an agent with a comprehensive plan for a non-fiction book, say a travel memoir, and then write the book but if you are an unestablished writer you are going to need to, most likely, finish the book before you ever submit it to an agent for consideration. You will then, for the most part, query agents in much the way you do a fiction manuscript.
Now I am just giving you my personal poetry experience and what I have learned from fiction and non-fiction writers who I know who have been published.
There is also, of course, self-publishing and working with small presses which can be different. Self-publishing is a world all to its own!
Hope this gives you a little bit of insight into the process. Will look forward to chatting more about it in comments.
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Here is my NaNoWriMo/Poem a Day poem from 11-8-09
Should I Go In
I’ve seen no one who looks like me enter the class. Mostly young women. Tight black pants. Personal rolled up mats. Clear faces. One man. Athletic fit white T-shirt with the OM symbol on the front. Crocs. 5 people. Then 7 more. I can’t even pick out who might be the instructor. Pacing, I move between the water fountain and the door to read the group exercise schedule. Memorized. Lunch Time Yoga. Hate to use the word ironic. So overused. Does it fit here to cover my guilt that I don’t want to be the fat one in yoga class? I would be the one dreaming of milkshakes and cheeseburgers while everyone else is probably comfortable lying on the floor thinking about wheat grass and tempeh. Did I really imagine that doing yoga videos at home would prepare me for this? For moving my body in a room full of taut flesh.